Can “The Boss” and/or anime fans unseat Blumhouse’s hit sequel from its late October box office throne?
Scott Derrickson’s well-reviewed follow-up to 2022’s midsummer horror breakout looks to keep an underwhelming October box office afloat for at least one more week.
Disney’s fifteen-years-in-the-making sequel is tracking well among core male audience fans with healthy business expected from premium screens, but will it break out beyond the brand’s inherent niche?
If models hold up, Taylor Swift will be second only to Taylor Swift in concert- and concert-adjacent box office opening weekends. Plus, can PREDATOR: BADLANDS mimic some of the ALIEN: ROMULUS franchise revival heat?
The fall slate continues to take shape as reach the end of October’s outlook in our public report.
Plus, DEMON SLAYER: INFINITY CASTLE continues to bewilder as domestic box office expectations soar higher.
Despite lamenting the absence of a BEETLEJUICE BEETLEJUICE-type singular performance from last year, this September’s key releases may be able to hold their own in the aggregate.
