Can WUTHERING HEIGHTS echo some of the previous decade’s blockbuster romantic hits for Valentine’s? Will SCREAM 7 overcome external discourse and the absence of young stars?
2026’s post-holiday slate may lack major tentpoles in the near future, but (for now) the box office calendar is at least poised for a net-gain compared to the same window last year.
The peak holiday runway begins in earnest this weekend with a handful of new releases set for respectable debuts, and likely, even more respectable legs through Christmas and New Year’s.
Universal and Disney may be in for a weekend-long battle to determine who comes out on top of the box office to begin 2025’s final month.
The penultimate weekend before WICKED: FOR GOOD storms theaters could end up much closer between three films than anyone expected in recent weeks.
James Cameron’s AVATAR franchise will again lord over the pre-Christmas weekend, but can FIRE AND ASH duplicate the same level of domestic success as WAY OF WATER?
Scott Derrickson’s well-reviewed follow-up to 2022’s midsummer horror breakout looks to keep an underwhelming October box office afloat for at least one more week.
Pre-WICKED: FOR GOOD weekend’s key releases will be more about their eventual legs than their openings, but could Edgar Wright’s high-concept re-imagining upset a 2010s era franchise three-quel?
Pre-release narratives are already debating whether PTA and Leo’s crime comedy will be successful from a budget standpoint, but theaters and moviegoers are already winners with OBAA’s release.
Can DiCaprio and Anderson turn a cinephile event into a larger mainstream autumn box office winner? How are the unexpected musical events of late summer and early fall trending?
