Scott Derrickson’s well-reviewed follow-up to 2022’s midsummer horror breakout looks to keep an underwhelming October box office afloat for at least one more week.
Pre-WICKED: FOR GOOD weekend’s key releases will be more about their eventual legs than their openings, but could Edgar Wright’s high-concept re-imagining upset a 2010s era franchise three-quel?
Pre-release narratives are already debating whether PTA and Leo’s crime comedy will be successful from a budget standpoint, but theaters and moviegoers are already winners with OBAA’s release.
Can DiCaprio and Anderson turn a cinephile event into a larger mainstream autumn box office winner? How are the unexpected musical events of late summer and early fall trending?
Summer’s back half will be reliant upon the staying power of three July tentpoles, but can other counter-programmers stand out?
Disney’s blockbuster remake looks safe in first place for one more weekend as Lionsgate’s JOHN WICK spin-off hopes to validate broader franchise hopes with Ana de Armas in the lead.
Warner Bros.’ modern legacy horror franchise is set to return in a big way ahead of what’s shaping to be a historic Memorial Day weekend.
After a forgettable May last year, the industry is in a much better spot this time around with THUNDERBOLTS* looking to exceed SHANG-CHI, and possibly BLACK WIDOW, among post-ENDGAME Marvel debuts.
How is the Marvel summer kick-off faring heading into its final tracking week? Will KARATE KID unite generations of fans? Can BALLERINA bring out the JOHN WICK faithful?
Writer/director Osgood Perkins looks to deliver NEON’s 2nd best opening weekend after breaking the record himself with Longlegs last summer
