Can “The Boss” and/or anime fans unseat Blumhouse’s hit sequel from its late October box office throne?
Scott Derrickson’s well-reviewed follow-up to 2022’s midsummer horror breakout looks to keep an underwhelming October box office afloat for at least one more week.
Disney’s fifteen-years-in-the-making sequel is tracking well among core male audience fans with healthy business expected from premium screens, but will it break out beyond the brand’s inherent niche?
Taylor Swift is back to give the box office a much needed boost on a weekend where openers are looking muted and the holdover market lacks the benefit of recent tentpole performers in chase frames.
Pre-release narratives are already debating whether PTA and Leo’s crime comedy will be successful from a budget standpoint, but theaters and moviegoers are already winners with OBAA’s release.
The fall slate continues to take shape as reach the end of October’s outlook in our public report.
Plus, DEMON SLAYER: INFINITY CASTLE continues to bewilder as domestic box office expectations soar higher.
Despite lamenting the absence of a BEETLEJUICE BEETLEJUICE-type singular performance from last year, this September’s key releases may be able to hold their own in the aggregate.
Sony and Crunchyroll are building to possible anime records for INFINITY CASTLE in North America, while the CONJURING “finale” and others aim to anchor early fall box office.
Can DiCaprio and Anderson turn a cinephile event into a larger mainstream autumn box office winner? How are the unexpected musical events of late summer and early fall trending?
