Early outlooks for the first of March’s new release crop, plus updated expectations for this weekend’s 28 YEARS LATER: THE BONE TEMPLE.
Pre-release narratives are already debating whether PTA and Leo’s crime comedy will be successful from a budget standpoint, but theaters and moviegoers are already winners with OBAA’s release.
Zach Cregger’s breakout will continue to thrive, and Netflix is (surprisingly?) inviting young KPOP DEMON HUNTERS fans to get off the “couch, couch, couch” with a two-day cinematic sing-along event.
Can DiCaprio and Anderson turn a cinephile event into a larger mainstream autumn box office winner? How are the unexpected musical events of late summer and early fall trending?
It may not be “Barbenheimer”, but the male-female countering duo of WEAPONS and FREAKIER FRIDAY looks to drive one final healthy summer frame before the calendar slows down for the rest of August.
Can THE CONJURING finale get this fall’s box office started on solid footing?
James Gunn’s DC Studios flagship tentpole hopes to capitalize on positive reception, IMAX and premium screen retention, and no notable direct competition in its second frame.
Warner Bros. and DC Studios’ highly anticipated relaunch is finally here. Will James Gunn’s thematically relevant revival bring out more than die-hard comic book fans this weekend?
Where SUPERMAN lands will depend as much on the crowd-friendly quotient of the film itself as well as how willing audiences are to embrace Gunn’s vision of optimism personified by the Man of Steel.
F1 shows early promise as an original midsummer sleeper hit, while Memorial Day continues to look like a potentially record-breaking weekend thanks to STITCH and Tom Cruise’s final MISSION.
