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Tag Archives: Crime 101

06 Feb 2026
Tracking & Forecasts

Box Office Tracking & Forecasts: PROJECT HAIL MARY ($40-45M+) Eyes Career-High Launch for Ryan Gosling, Possible Best for Amazon MGM; How Far Can the Andy Weir Adaptation Go?

  • February 6, 2026
  • By author-avatar Shawn Robbins

As WUTHERING HEIGHTS continues to take shape as 2026’s first hit tentpole next week, PROJECT HAIL MARY is increasingly poised to deliver a key early spring box office breakout.

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30 Jan 2026
Tracking & Forecasts

Box Office Tracking & Forecasts: WUTHERING HEIGHTS, GOAT, SCREAM 7 and More Driving February Optimism; SEND HELP ($15M+) and IRON LUNG ($12M+) Strong Out of the Gate

  • January 30, 2026
  • By author-avatar Shawn Robbins

Another slow January is coming to a close, but theaters and movie fans have reason to start getting excited for a variety of mid-winter and early spring titles.

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23 Jan 2026
Tracking & Forecasts

Box Office Tracking & Forecasts: Nate Bargatze’s THE BREADWINNER ($15-19M+) Could Be an Early 2026 Sleeper Hit; Colleen Hoover’s REMINDERS OF HIM Early Outlook and More Updates

  • January 23, 2026
  • By author-avatar Shawn Robbins

Nate Bargatze has dominated the comedy and entertainment worlds in recent years with a far-from-overnight success story. How could his leap to the big screen perform?

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16 Jan 2026
Tracking & Forecasts

Box Office Tracking & Forecasts: THE BRIDE! and HOPPERS ($15-18M+ Each); 28 YEARS LATER: THE BONE TEMPLE Trending for $15M 4-Day Start

  • January 16, 2026
  • By author-avatar Shawn Robbins

Early outlooks for the first of March’s new release crop, plus updated expectations for this weekend’s 28 YEARS LATER: THE BONE TEMPLE.

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09 Jan 2026
Tracking & Forecasts

Box Office Tracking & Forecasts: WUTHERING HEIGHTS ($50M+) and SCREAM 7 ($28-32M+) to Anchor February and Another Slow Winter Calendar

  • January 9, 2026
  • By author-avatar Shawn Robbins

Can WUTHERING HEIGHTS echo some of the previous decade’s blockbuster romantic hits for Valentine’s? Will SCREAM 7 overcome external discourse and the absence of young stars?

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