James Cameron’s AVATAR franchise will again lord over the pre-Christmas weekend, but can FIRE AND ASH duplicate the same level of domestic success as WAY OF WATER?
Scott Derrickson’s well-reviewed follow-up to 2022’s midsummer horror breakout looks to keep an underwhelming October box office afloat for at least one more week.
Mid-September hosts a trio of films courting different audiences. Which have potential to stand out during a time inevitably disadvantaged by year-over-year comps to 2024’s BEETLEJUICE BEETLEJUICE?
It may not be “Barbenheimer”, but the male-female countering duo of WEAPONS and FREAKIER FRIDAY looks to drive one final healthy summer frame before the calendar slows down for the rest of August.
After one of the worst Memorial Days in history last year, the page will turn in a seismic way thanks to an adorable modern Disney mascot and Tom Cruise doing what nobody does better.
Tom Cruise, Disney’s first major 2000s era nostalgia event, and another smartly timed Angel Studios release could combine to rival some of the great Memorial Day box office hauls.
The top “original” vampire movie box office opening (so, not TWILIGHT) belongs to HOTEL TRANSYLVANIA’s $42.5 million 13 years ago. Will Ryan Coogler’s SINNERS take a bite out of that benchmark?
MINECRAFT will ride the ‘chicken jockey’ meme into the start of healthy chase weekends, while THE KING OF KINGS looks to set a new Biblical animation record and a slew of releases add variety to the spring market.
Pacing for $2.5 million+ in Thursday domestic previews, will Warner Bros. and Bong Joon-ho’s spring tentpole bring a brief lift to another between-seasons (albeit, mostly expected) box office slump?
Can a Crop of Mid-March Openers Tide the Market Over In Between Tentpole Releases?
